London locations
Richmond Park photoshoot
Permits, light and what to expect on the day.
London locations
Permits, light and what to expect on the day.
Open grass, bracken, ancient trees and deer. That is what brings people to Richmond Park with a camera.
Before the shoot there are two questions. Who controls the ground you will stand on, and whether they want a permit.
| Richmond Park | |
|---|---|
| Who controls it | The Royal Parks issue a wedding and lifestyle photography permit for engagement, wedding and family portrait shoots. |
| Good for | Open grass, bracken, ancient trees and deer. |
| Light | Early morning gives mist and low light across the grass. |
| Busiest | Keep a long distance from the deer, especially in the rut in autumn and when calves are born in summer. |
The Royal Parks issue a wedding and lifestyle photography permit for engagement, wedding and family portrait shoots. One permit covers one hour and up to ten people, in selected areas. You attach public liability insurance with minimum cover of five million pounds, and they ask for at least ten days notice. Permits for The Regent's Park are applied for separately.
Checked on 25 September 2026. Rules and fees change, so confirm with the authority before the shoot.
Early morning gives mist and low light across the grass. It is the one London location that looks rural.
Keep a long distance from the deer, especially in the rut in autumn and when calves are born in summer. The park is large: pick a gate near the area you want and share it with the client.
Mariya's verdict. Scout the exact spot before the day. A location is a specific corner at a specific hour, not a postcode.
Apply early. Most London film offices want notice measured in days, not hours.
Carry the permission with you. Whoever asks will want to see it, not hear about it.
Keep the group small. Permits are written around numbers of people, and a large group changes the answer.
Have a second location within walking distance. Weather and crowds ruin a plan more often than permits do.
Insurance matters. The Royal Parks ask for five million pounds of public liability cover, and other landowners ask for the same thing in different words.
Richmond station, then a bus or a walk to a gate.
A long lens for the deer and boots for the grass, which stays wet most of the year.
Approaching the deer. Keep the distance the park asks for, in every season.
None of that is a reason to avoid the place. It is a reason to arrive knowing the answer before somebody asks you for it.
| Who controls it | The Royal Parks |
| Permit needed | Yes, for portrait sessions |
| Notice to allow | At least 10 days |
| Insurance | Public liability, 5 million pounds |
| Worth knowing | One hour, up to 10 people |
| Nearest stations | Richmond station, then a bus or a walk to a gate. |
| What to carry | A long lens for the deer and boots for the grass, which stays wet most of the year. |
Rules and fees change. Confirm with the authority named above before the shoot, and treat this table as a starting point rather than a permission.
| Where | What it gives you | When it works |
|---|---|---|
| Isabella Plantation | Azaleas and water in late spring | Morning |
| Pen Ponds | Open water and sky | Sunrise |
| The ancient oaks near Sheen Gate | Bare structure, dramatic in mist | Winter morning |
A location is a corner at an hour, not a postcode. Pick one of these and build the session around it.
An hour in Richmond Park is three stops, not one.
We start at Isabella Plantation, because it is the frame most people came for and it is quietest first.
Then Pen Ponds, which changes the background without changing the light.
We finish at The ancient oaks near Sheen Gate, which gives a different scale and a different mood.
Walking between them is part of the session rather than lost time. Most of the unposed frames happen on the way.
If the permit covers one hour, that is the whole plan. Adding a fourth stop means rushing all four.
Carry what you can walk with. Every location in this city involves more walking than the map suggests.
A tripod changes the permission you need in most of these places, so plan handheld unless the permit says otherwise.
Bring water and a bag you can keep on your shoulder. Nothing gets put down on a London pavement twice.
Late April and May for the plantation, which is the busiest and best fortnight.
Autumn for bracken and the rut, when the deer must be given a very wide berth.
Winter mornings for mist, which is the reason photographers come here at all.
Long coats and boots. The grass is wet most of the year.
Earth colours sit into the landscape, bright colours stand out of it.
Nothing that drags: the ground is uneven and often muddy.
Pembroke Lodge gardens are more sheltered.
The park is large enough that one side can be dry while the other is not.
The Royal Parks issue a wedding and lifestyle photography permit that covers engagement, wedding and family portrait work.
One permit covers one hour and up to ten people, in selected areas of the park.
You complete the online application, choose the park, and attach public liability insurance with minimum cover of five million pounds.
They ask for at least ten days notice, and the fee is paid through a link once the application is approved.
The Regent's Park is applied for and paid separately from the other parks.
Commercial filming and photography is a different route, handled by the filming team, with fees set by the shoot rather than by a fixed permit.
Nearby, with different rules and a different look: Hampstead Heath, Greenwich and Little Venice.
The full list of occasions is on event photography in London.
Tell me the date and I will tell you which permission applies and how long it takes to get.
If the date is fixed and the permit cannot arrive in time, there is almost always a nearby alternative with a lighter process.
Sessions are priced by time rather than by location, and the rates are on the services page.
This page is written by Mariya Harley, a fashion, portrait and hotel photographer working from a studio in west London.
The tools described here are the ones that reach a working photographer's desk, and the failures described are the ones that reach a client's screen.
Prices and features are read from vendor pages rather than repeated from other articles. The date of that check is printed above each table.
Nothing here is sponsored, and there are no affiliate links. A tool appears because it does the job, or because people ask about it.
What is deliberately absent: benchmark scores copied from press releases, rankings that change with the season, and any claim that software can replace direction, light or responsibility for the result.
If a price here is out of date, the vendor page wins. Tell me and I will correct it.