
Photoshoot ideas
A solo session has no brief except you, which sounds freeing and is actually the hard part. Give it a shape: three registers, three set-ups, one hour.
In short: A solo session has no brief except you, which sounds freeing and is actually the hard part. Give it a shape: three registers, three set-ups, one hour.
People booking a shoot for themselves with no occasion attached — which is, quietly, the most common reason of all.
One frame, plain background, honest light. Whatever else happens, this is the one you will use.
Home, studio, workshop. Environmental frames say something a plain background cannot.
Walking, turning, crossing. It removes self-consciousness faster than any instruction.
A stronger outfit, harder light, a different register. Sessions without a risk in them produce competent, forgettable sets.
Hands, jaw, the edge of a shoulder. Detail frames give a set rhythm.
Strips the styling and leaves expression. Often the frame people keep.
Last thirty minutes of light, one location, no plan beyond walking.
Small in the frame, room above and to one side — useful for covers, banners and anything with text on it.
One indoor with a window, one outdoors within five minutes' walk. In London that combination exists almost anywhere; travelling between three locations wastes the hour you paid for.
Booking an hour and spending twenty minutes deciding what to wear. Bringing six outfits. And judging the set the same evening — everyone hates their own photographs on the first pass, and the second pass a week later is the honest one.
Three set-ups in an hour: a clean portrait, an environmental frame, and movement outdoors. Two outfits at most.
It is the most common reason there is. Most people have no decent photograph of themselves taken in the last five years, and that is reason enough.
From an hour, ten to fifteen finished images with variety in crop and orientation. More than that is usually near-duplicates.