What to wear
Colour, and lots of it: white or beige in snow disappears entirely. Layers so the session can survive twenty minutes. Waterproof footwear that is not…
In short: Colour, and lots of it: white or beige in snow disappears entirely. Layers so the session can survive twenty minutes. Waterproof footwear that is not being photographed and a nicer pair carried for the frames where feet show.
Colour. Strong and saturated. White, cream and pale grey vanish into snow entirely; a red coat in a white field is the whole composition.
Fabric. Layers that photograph — wool, shearling, quilting — over anything technical and shiny, which reflects the sky and reads as sportswear.
Footwear. Waterproof for walking, something better carried for the frames where feet show. Cold feet end sessions faster than cold hands.
The thing that ruins frames. Getting wet in the first ten minutes. Save anything that involves sitting, lying or being thrown at until the end.
In the bag. Hand warmers, a flask, a spare pair of gloves, and a plastic bag for the camera when going back indoors — condensation on a cold lens takes twenty minutes to clear.