
Photoshoot ideas
The beach is a hard light problem disguised as a pretty location. Solve the light and everything else follows.
In short: The beach is a hard light problem disguised as a pretty location. Solve the light and everything else follows.
Anyone photographing at the coast, where the light is the strongest and least forgiving you will encounter.
Sun behind, expose for the face, let the water blow out. The classic and the most reliable.
Movement, splash, real reactions to cold water.
No expression required, pure shape. Works when everyone is tired.
A dress, a shirt, a scarf. Wind is the beach's gift to photography and it costs nothing.
Long horizon behind, low angle, no clutter in frame.
One person tiny in a big frame of sea and sky. It gives a gallery scale.
Wet sand acts as a mirror in the last hour. Shoot low to use it.
Twenty minutes of even cool light with no shadows — the easiest beach light there is, and almost nobody stays for it.
Sunrise or the last ninety minutes before sunset; midday at the coast is the hardest light in photography. Check the tide, because a beach at high tide can be a strip two metres wide. Wet sand near the waterline gives reflections and firm footing.
Shooting at midday. Ignoring the tide. Putting the sun behind the photographer, which guarantees squinting. And bringing a camera to sand without a bag to change lenses inside.
The hour after sunrise or before sunset. Midday sun at the coast is harsh, high-contrast and unflattering for faces.
Put the sun behind them and expose for the face, or have them close their eyes and open on a count of three.
Loose fabric that moves in wind, and a spare outfit. Avoid anything stiff — it fights the location.