Hotel balcony photographed in evening light

Posing

Hotel and staycation photoshoot poses

In hotel frames the room is the subject and the person gives it scale and life. Posing is minimal and always related to something in the space.

In short: In hotel frames the room is the subject and the person gives it scale and life. Posing is minimal and always related to something in the space.

Sitting on the edge of the bed, looking out

Uses the window light and points attention at the view.

Leaning on the balcony rail, from behind

No expression needed, and it puts the viewer in your position.

Walking through the doorway

Movement, and it reveals the room behind you.

Robe, coffee, morning window

The most reproduced hotel frame there is, and it works because everything in it is doing something.

Reading in a chair, side-lit

Quiet, natural, and it fills the corner of a wide room shot.

At the pool edge, low camera

Water in the foreground, horizon behind, shot from water level rather than standing.

The order to run them in

Start with sitting on the edge of the bed, looking out — the first two minutes are warm-up and the first pose should be the one that asks least of anyone. Move to leaning on the balcony rail, from behind and walking through the doorway once the shoulders have dropped, and keep at the pool edge, low camera for the end, when self-consciousness has gone. Shoot each one in bursts through the movement rather than holding it: the usable frames sit between the instructions, not on them.

Camera height and distance

Two metres back with the lens zoomed rather than close and wide — distance is what keeps facial proportions natural. Camera at or slightly above eye level for portraits, at chest height for full length. Below eye level enlarges whatever is nearest the lens, which is rarely what you want in frame.

What to avoid

Standing in the middle of the room facing the camera, which turns a beautiful space into a background. And the bed jump — every property has thirty of them.

The mistakes that cost the most

Photographing the room after unpacking. Using the ceiling lights, which are almost always warm downlights that flatten everything. And shooting the view at midday, when the sky is white and the contrast is unmanageable.

Next step

See if a session makes sense

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