
London locations
Permits, light and what to expect on the day.
Open space, the Serpentine, avenues of trees and water. That is what brings people to Hyde Park with a camera.
Before the shoot there are two questions. Who controls the ground you will stand on, and whether they want a permit.
| Hyde Park | |
|---|---|
| Who controls it | The Royal Parks issue a wedding and lifestyle photography permit for engagement, wedding and family portrait shoots. |
| Good for | Open space, the Serpentine, avenues of trees and water. |
| Light | Late afternoon along the water gives backlight without a building in the frame. |
| Busiest | It is the largest and busiest of the central parks. |
The Royal Parks issue a wedding and lifestyle photography permit for engagement, wedding and family portrait shoots. One permit covers one hour and up to ten people, in selected areas. You attach public liability insurance with minimum cover of five million pounds, and they ask for at least ten days notice. Permits for The Regent's Park are applied for separately.
Checked on 25 September 2026. Rules and fees change, so confirm with the authority before the shoot.
Late afternoon along the water gives backlight without a building in the frame.
It is the largest and busiest of the central parks. The permit covers one hour, so pick one area and stay in it.

Mariya's verdict. Scout the exact spot before the day. A location is a specific corner at a specific hour, not a postcode.
Apply early. Most London film offices want notice measured in days, not hours.
Carry the permission with you. Whoever asks will want to see it, not hear about it.
Keep the group small. Permits are written around numbers of people, and a large group changes the answer.
Have a second location within walking distance. Weather and crowds ruin a plan more often than permits do.
Insurance matters. The Royal Parks ask for five million pounds of public liability cover, and other landowners ask for the same thing in different words.
Lancaster Gate, Hyde Park Corner and Marble Arch.
Light kit you can carry, because the distances inside the park are long.
Booking one hour and planning three locations inside it.
None of that is a reason to avoid the place. It is a reason to arrive knowing the answer before somebody asks you for it.
| Who controls it | The Royal Parks |
| Permit needed | Yes, for portrait sessions |
| Notice to allow | At least 10 days |
| Insurance | Public liability, 5 million pounds |
| Worth knowing | One hour, up to 10 people |
| Nearest stations | Lancaster Gate, Hyde Park Corner and Marble Arch. |
| What to carry | Light kit you can carry, because the distances inside the park are long. |
Rules and fees change. Confirm with the authority named above before the shoot, and treat this table as a starting point rather than a permission.
| Where | What it gives you | When it works |
|---|---|---|
| The Serpentine | Open water and sky | Late afternoon |
| The Rose Garden near Hyde Park Corner | Formal planting | Morning |
| The avenue towards Speakers' Corner | Long lines of trees | Backlight in the evening |
A location is a corner at an hour, not a postcode. Pick one of these and build the session around it.
An hour in Hyde Park is three stops, not one.
We start at The Serpentine, because it is the frame most people came for and it is quietest first.
Then The Rose Garden near Hyde Park Corner, which changes the background without changing the light.
We finish at The avenue towards Speakers' Corner, which gives a different scale and a different mood.
Walking between them is part of the session rather than lost time. Most of the unposed frames happen on the way.
If the permit covers one hour, that is the whole plan. Adding a fourth stop means rushing all four.
Carry what you can walk with. Every location in this city involves more walking than the map suggests.
A tripod changes the permission you need in most of these places, so plan handheld unless the permit says otherwise.
Bring water and a bag you can keep on your shoulder. Nothing gets put down on a London pavement twice.
Late spring, when the trees are in leaf but the crowds have not arrived.
Autumn for colour along the water.
Winter for mist over the Serpentine on cold mornings.
Simple shapes: the park is open and the sky is part of the frame.
Long coats work well in the avenues.
Flat shoes, because the distances inside the park are long.
The Serpentine galleries and the cafes give shelter.
Kensington Gardens continues from the same point with the same permit rules.
The Royal Parks issue a wedding and lifestyle photography permit that covers engagement, wedding and family portrait work.
One permit covers one hour and up to ten people, in selected areas of the park.
You complete the online application, choose the park, and attach public liability insurance with minimum cover of five million pounds.
They ask for at least ten days notice, and the fee is paid through a link once the application is approved.
The Regent's Park is applied for and paid separately from the other parks.
Commercial filming and photography is a different route, handled by the filming team, with fees set by the shoot rather than by a fixed permit.
Nearby, with different rules and a different look: Covent Garden, Regent's Park and Canary Wharf.
The full list of occasions is on event photography in London.
Tell me the date and I will tell you which permission applies and how long it takes to get.
If the date is fixed and the permit cannot arrive in time, there is almost always a nearby alternative with a lighter process.
Sessions are priced by time rather than by location, and the rates are on the services page.
This page is written by Mariya Harley, a fashion, portrait and hotel photographer working from a studio in west London.
The tools described here are the ones that reach a working photographer's desk, and the failures described are the ones that reach a client's screen.
Prices and features are read from vendor pages rather than repeated from other articles. The date of that check is printed above each table.
Nothing here is sponsored, and there are no affiliate links. A tool appears because it does the job, or because people ask about it.
What is deliberately absent: benchmark scores copied from press releases, rankings that change with the season, and any claim that software can replace direction, light or responsibility for the result.
If a price here is out of date, the vendor page wins. Tell me and I will correct it.