Photoshoot ideas
Rain doubles every light source and empties every location. The photographs everyone else went home rather than take are the ones worth having.
In short: Rain doubles every light source and empties every location. The photographs everyone else went home rather than take are the ones worth having.
Anyone whose shoot day arrived wet, and photographers who have worked out that rain is an advantage rather than a cancellation.
Shoot low. A wet street mirrors neon, headlights and windows and costs nothing.
A single strong colour against a grey street, and it gives the hands something to do.
Droplets on glass, figure beyond. The most atmospheric frame available in bad weather.
A streetlight or low sun behind the drops so they show. Rain against a bright sky is invisible.
Doorways, bus shelters, arches. Soft even light and dry equipment.
Genuine, laughing, fast shutter. Nobody has to act.
Wet texture close up, which is where rain is most visible.
Twenty minutes of clean air, saturated colour and empty streets — the best light of a wet day.
Lit streets after dark, arcades, station entrances, anywhere with cover a step away. In London, wet pavement plus shop lighting is the most photogenic condition the city offers and nobody is out in it.
Cancelling. Not protecting the camera — a bag and a cloth are the whole kit. And shooting rain against a bright sky, where it simply does not appear.
Yes, and wet streets are one of the best conditions there is. Plan cover a step away, protect the camera and keep the session short.
Put a light source behind the drops and a dark background behind them. Rain against a bright grey sky does not show at all.
A coat with colour and structure, sensible shoes, and a change of clothes. Avoid pale colours, which merge with a wet street.