What to wear
Only relevant if a person appears: plain, neutral, nothing that pulls the eye from the room. For the photographer, dark clothing matters — you appear…
In short: Only relevant if a person appears: plain, neutral, nothing that pulls the eye from the room. For the photographer, dark clothing matters — you appear in every mirror, window and glossy surface in the property.
Colour. Only relevant if a person appears, and then neutral: anything bright bounces colour onto white walls and shifts the white balance of the whole room.
Fabric. Matte for the photographer. You appear in every mirror, window, oven door and glossy tile in the property, and a white shirt shows up in all of them.
Footwear. Removable. Shoes on a client's carpet is the fastest way to lose the second booking.
The thing that ruins frames. The photographer reflected in a bathroom mirror. Check every mirrored surface before pressing the shutter, not afterwards.
In the bag. A microfibre cloth for taps and glass, a bin bag for clutter, spare light bulbs in one colour temperature, and a tripod — verticals stay straight far more reliably on one.