Photoshoot ideas
Interior photography is preparation plus two technical habits: keep the verticals straight and stop mixing light sources. Almost every bad property photograph fails on one of those two.
In short: Interior photography is preparation plus two technical habits: keep the verticals straight and stop mixing light sources. Almost every bad property photograph fails on one of those two.
Owners and agents photographing a property, where the pictures decide how many people book a viewing.
Half the job happens before the camera: clear surfaces, bins out of frame, toilet seats down, cables hidden.
Shows two walls and gives the room depth. Doorway shots at eye level flatten a room into a wall.
Camera level, not tilted. Converging walls are the single most obvious sign of an amateur listing.
Daylight with lamps off, or lamps at dusk with curtains closed. Mixing them puts orange and blue in the same room.
Exposed properly rather than blown to white — often the most valuable feature of the property.
Interior lights on, sky still blue. The frame that sells a house and takes twenty minutes to get right.
The fireplace, the tiles, the original floor. Buyers remember specifics.
Missing rooms create suspicion, and suspicion loses viewings.
The property, on a bright but not sunny day for interiors, and at dusk for the exterior. South-facing rooms photograph best mid-morning; north-facing ones need the brightest hour of the day.
Photographing a cluttered room and hoping editing fixes it. Tilting the camera. Mixing daylight with warm bulbs. And skipping the twilight exterior, which is the single highest-value frame in the set.
Tidy first, shoot from a corner at chest height with the camera level, use one light source at a time, and include every room plus a twilight exterior.
The camera is tilted and the lens is too wide. Keep the back of the camera vertical and step back rather than zooming out.
Bright but overcast for interiors; the twenty minutes after sunset for the exterior with the lights on.