
Photoshoot ideas
A garden is a location with no walls, which means the light and the background have to be built rather than found. Two adjustments — time of day and where you stand — do almost all of it.
In short: A garden is a location with no walls, which means the light and the background have to be built rather than found. Two adjustments — time of day and where you stand — do almost all of it.
People shooting at home, and anyone who has discovered that a beautiful garden photographs as a green mess at the wrong hour.
Sun behind the foliage, subject in front of it. The leaves glow and the background separates from the subject.
A dense hedge is a plain background; a flower border is visual noise directly behind someone's head.
Shoot through a branch or flowers close to the lens. It gives depth that a flat lawn cannot.
The best light in most gardens: open shade with a large, soft source in front.
Whoever tends it will want these more than the portraits.
Photographed before anyone sits, in the last two hours of light.
Foreground blur at ground level, subject beyond. Costs nothing and looks deliberate.
If it is your own garden, this is the series worth having.
Your own garden works if you use it properly: shoot in the last two hours before sunset, stand people near the house rather than in the middle of the lawn, and use a hedge or a wall behind them. In a public garden, check whether photography permits are required — several London parks distinguish between personal and commercial shoots.
Shooting at midday. Standing people in front of a flower border so their head sits in a bush. And forgetting that a lawn reflects green light upward onto faces, which is the reason garden portraits so often need colour correction.
The last two hours before sunset. Midday sun is directly overhead, which drops shadow into the eyes and flattens the whole garden.
Use a hedge, a wall or a doorway behind them rather than an open border, and shoot through foreground planting to create depth.
Green, which merges with the background. Warm tones separate best from foliage.