Black and white frame of a couple under an arch

Posing

Engagement photoshoot poses

Same grammar as couple work, with one addition: the ring has to appear naturally several times without becoming the subject.

In short: Same grammar as couple work, with one addition: the ring has to appear naturally several times without becoming the subject.

Walking, ring hand on the outside

So it appears without being presented.

Hands on his chest, faces close

The classic engagement frame, and it works because the ring lands in the middle of the composition.

Seated on steps, leaning in

Relaxed full length with room for the city behind.

Whisper and react

For the laughing frames.

Forehead to forehead, hands joined

Quiet, and the ring is visible without being staged.

Apart, looking at each other

A metre of space between you. It reads as anticipation and it breaks up a set of close frames.

The order to run them in

Start with walking, ring hand on the outside — the first two minutes are warm-up and the first pose should be the one that asks least of anyone. Move to hands on his chest, faces close and seated on steps, leaning in once the shoulders have dropped, and keep apart, looking at each other for the end, when self-consciousness has gone. Shoot each one in bursts through the movement rather than holding it: the usable frames sit between the instructions, not on them.

Camera height and distance

Two metres back with the lens zoomed rather than close and wide — distance is what keeps facial proportions natural. Camera at or slightly above eye level for portraits, at chest height for full length. Below eye level enlarges whatever is nearest the lens, which is rarely what you want in frame.

What to avoid

Presenting the hand to the lens, the dip kiss, and holding a sign with a date on it. The sign dates the picture the moment the date passes.

Next step

See if a session makes sense

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