
Posing
Same grammar as couple work, with one addition: the ring has to appear naturally several times without becoming the subject.
In short: Same grammar as couple work, with one addition: the ring has to appear naturally several times without becoming the subject.
So it appears without being presented.
The classic engagement frame, and it works because the ring lands in the middle of the composition.
Relaxed full length with room for the city behind.
For the laughing frames.
Quiet, and the ring is visible without being staged.
A metre of space between you. It reads as anticipation and it breaks up a set of close frames.
Start with walking, ring hand on the outside — the first two minutes are warm-up and the first pose should be the one that asks least of anyone. Move to hands on his chest, faces close and seated on steps, leaning in once the shoulders have dropped, and keep apart, looking at each other for the end, when self-consciousness has gone. Shoot each one in bursts through the movement rather than holding it: the usable frames sit between the instructions, not on them.
Two metres back with the lens zoomed rather than close and wide — distance is what keeps facial proportions natural. Camera at or slightly above eye level for portraits, at chest height for full length. Below eye level enlarges whatever is nearest the lens, which is rarely what you want in frame.
Presenting the hand to the lens, the dip kiss, and holding a sign with a date on it. The sign dates the picture the moment the date passes.